The many bonus features will include two filmmaker audio commentaries and a track of audience reaction from the Austin premiere, minute film school with Robert Rodriguez, 17 uninterrupted minutes of Tarantino's segment, trailers and teasers, bloopers, " Sin City Night at Antones" with cast and crew party, a "Sin-Chroni-City" interactive game, "the movie in high-speed green screen", featurettes on costumes, props, cars, and special effects, minute cooking school with Robert Rodriguez, and the complete Sin City graphic novel The Hard Goodbye. Truly a unique film amongst those of its ilk, Sin City was not a popular, name-brand franchise of a comic, nor was its subject matter as universally appealing as something like Superman. Gritty, harsh, and incredibly dark, the Sin City series of 7 graphic novels nevertheless found a comfortable niche in the comic world. This probably represents his darkest film to date, yet no less excellent. With a fast shooting schedule and a fairly moderate budget, Rodriguez has succeeded in creating what is arguably the most faithful comic book film adaptation to date. The co-director was so dedicated to bringing the books to literal life that he chased down Miller to help him direct it.
Frank Miller's Sin City
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Synopsis: Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark. Then there are those who call it home. Crooked cops. Sexy dames. Desperate vigilantes.
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SDCC: Live Bloggin’ the Watchmen Panel!
Robert Rodriguez deserves mad props for exalting graphic novelist Frank Miller. The director felt so strongly that Miller's eye should qualify him for a directing credit that Rodriguez sacrificed his membership in the Director's Guild of America in order to co-credit Miller. The million-dollar question about Sin City : is the old saw true? Are comic books ready-made storyboards for movies, if filmmakers would only follow them?
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